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Darkness to Light: When Technology Heals Generations

A New Language of Empathy by Filmmaker Victoria Bousis

By Ahmed Fathi


New York: In a global media environment where algorithms determine the stories we see and the histories we overlook, narratives of mass atrocity and displacement often struggle to remain visible. The rapid pace of information circulation can push even the most devastating chapters of human experience into the background of public consciousness. In this context, filmmaker and creative technologist Victoria Bousis has made an Oscar-qualified short documentary called Darkness to Light: When Technology Heals Generations. This video pushes back against both forgetfulness and silence.


Cambodia, the United States, and Greece worked together to make the movie. This was done on purpose to show that location does not limit historical memory and cultural identity. Genocide, forced separation, and trauma that has lasted for generations have changed civilizations in Cambodia, Syria, Ukraine, Sudan, Armenia, Palestine, and Venezuela. The video starts a discourse about the impact of war on families and the importance of narrative in repairing broken identities by looking at the Cambodian experience.


Going back to a personal story that became a national testimony

The narrative of Yathay Pin, who lived through the Khmer Rouge dictatorship and spent decades looking for his son, is at the center of the movie. His memoir is well known in Cambodia, yet its emotional implications have often remained confined within families and survivor circles. Darkness to Light shifts that dynamic.


Bousis approaches the narrative not as an outsider documenting tragedy, but as a filmmaker committed to restoring voice, context, and agency to those who lived the history. “wanted to use technology in a way that makes people more emotionally vested — so they could become active participants of change,”Bousis said in an interview for this report. The film does not dramatize trauma or reconstruct it for spectacle. Instead, it allows testimony to carry its own weight.


Technology as Bridge, Not Spectacle

Bousis is widely recognized for her immersive virtual reality experience Stay Alive My Son, which places participants inside key emotional moments of separation and longing. That project is currently in contention for 13 Games Awards. However, the director is measured about the limitations of VR in reaching broad audiences.“VR is the most immersive way to live a story, but access is limited by hardware availability,”Bousis noted.“Film is universal. It reaches people where they already are.”


She expands this rationale: "Silence is no longer an option. Cambodia’s story is humanity’s story. When we share stories at scale, we retain agency in our narrative — and prevent the past from repeating itself. ”This positions film not simply as documentation, but as a strategic tool for cultural continuity.


Reception and Discussion in New York

A private screening was hosted in New York by Diane von Fürstenberg, drawing diplomats, filmmakers, UN representatives, and cultural advocates. The discussion that followed emphasized the emotional and political relevance of the film’s subject matter. Von Fürstenberg, whose mother survived Auschwitz, reflected: “Everyone talks about the negative of technology. We have to put women’s energy into it. Victoria used technology for humanity.”


Actor and Executive Producer Elodie Yung underscored the film’s role in reopening space for intergenerational dialogue. “ Darkness to Light is more than a documentary—it shows the

true power of technology for empathy, remembrance and healing. I feel deeply proud of what we’ve achieved together.”


Film critic Kevin S., from the New York Film Circle, observed:“This is not a trauma narrative. It is the reconstruction of memory.”


Industry and technology observers offered parallel assessments: Sherry Kaufman, Astoria Studios: "A proof that film and technology can heal generational silence.”


Hasshi Sudler, MIT:“A model for bridging memory and modernity — and preserving stories that history nearly erased.”


These evaluations point toward the same conclusion: the film represents a methodological shift in how stories of historical violence can be presented ethically and effectively.


A Broader Human Context

More than 120 million people worldwide are currently displaced due to conflict, economic collapse, occupation, or political instability. In many cases — including communities in Palestine and Venezuela — family separation and identity fragmentation are ongoing lived realities. Humanitarian organizations consistently document the psychological and cultural impact of these fractures.Darkness to Light enters this conversation as evidence that memory is not passive. It shapes how societies understand responsibility, justice, and continuity.


Position in Awards Season

The film is now officially qualified in the Academy Awards Documentary Short Film category. Its companion VR project, Stay Alive My Son, continues advancing in various Games Awards processes. Together, the works reflect Bousis’ cross-disciplinary approach to narrative, emotional accessibility, and public memory. While awards attention is consequential in terms of visibility, the film’s value lies in its capacity to reframe how historical trauma is communicated — without spectacle, and without erasure.


Final Thoughts

Darkness to Light is a movie that tries to change the way people remember things around the world. It shows that remembering isn't just about looking back; it's an essential part of keeping culture and emotions alive. The film says that some histories should not be allowed to fade away in a time when people's attention is spread out.

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